SPL® Transient Designer
Customer Reviews
SPL® Transient Designer
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M. Cartsonis
Five stars says it all. I'd add celestial bodies if I could. I can't even count the number of instances where the Transient Designer's magical ability to control ambience has saved a dialog track in post.
Beyond that, there's all the musical stuff you can do with it-- bringing flavor and schmutz to snares and toms (or taking it out!)... I consider this plugin one of the best musical/ sonic enhancing investments I've made.
What would I have wanted to know before purchasing? Frankly, I bought it on the basis of how UA presented it-- descriptions have always been accurate, and this one was no exception. So... I guess I knew what I needed to know already. Thanks for a superb utility.
C. Soulos
Probably my most used plug in.
On every project in the last year.
I use it to sculpt.
But mainly my go to when clients send guitars and drums with too much lounge room in them.
I can guarantee theres always a way that this thing appears in my mix somewhere.
More power to SPL.
I went out and bought a DynaMaXX hardware compressor, figured if they can make something simple work so well, they must be pretty pretty good designers.
Well, set and forget, I leave this compressor on all the time.
SPL is excellent.
Love
Christopher
S. Callan
I've tried it up against the Shaack and Stillwell alternatives, and I like the UAD TD better. The attack is tighter, and the release seems a bit smoother in the UAD plug. It's mostly used on kick and snare, and often I'm drawing some sustain back off the source rather than doing any crazy boosting, though a little added attack is generally good. This plugin has done more to make me happy with my drum sounds than any other plug - I can tighten up the kick and snare, and need less EQ to get to where I want to go.
A. Vax
3 words: shaak trainsients shaper.
it's cheaper, it hase way more options, it's sounds good.
SPL Transient Designer is good, but 199$ is too much imho :)
H. Haskell
This plugin has saved the day many times on video recordings where the audio has way too much room sound because it was recorded with the on-camera microphone. I open up this plugin and just magically turn down the room. Excellent!
E. Pilloni
For me this is the best virtual transient designer...it sounds very good, much better than Waves TransX!!!
Beautiful for kick,for snares, for gating loops!! fantastic plug!!!
M. Cartsonis
If there were more stars available I would add them. This plugin is a godsend for dialog ambience control. I love all of my UAD-1 plugins, and am hopelessly dependent upon them at this point, but the Transient Designer is the one I honestly don't know how I lived without, and from this point on couldn't. Thanks, you people; you made my job a whole lot easier.
V. Borda
Works great in certain situations. It's pretty outstanding on kick drum. You can totally cut or add boominess to the kick quite easily. It is good on other drums as well, but it's not necessarily going to rescue poorly recorded or badly eq'd drum tracks. It's more like, if you have something good it can help you get it exactly right in the mix by adjusting the snap and body of the source. It's very easy to imagine this one being quite a lifesaver in certain situations.
F. Norén
I must say that the SPL Transient Designer plugin sounds really good. I used it when mixing and mastering a project and it performed really well. Compared to the Sonnox TransMod the Transient Designer is better at detecting transients which in my opinion makes it more useful. The TransMod is ok but when adding transients they can fluctuate in level which makes it harder to use. It terms of sound the Transient Designer adds a more snappy sound. TransMod has a slightly more dark transient sound which I don't find as useful in the heat of the action.
The Release-knob on Transient Designer is really cool, not just because it can dry up sounds and make drums tighter. I mostly use it the opposite way adding release which can add character and girth to wimpy sounding drums and loops.
Just my two cents
Frederick
T. Miller
I wrote a review once before, and now that I finally bought this plug after the demo ran out- my efforts to improve some old mixes have greatly improved.
This plug-in works well on live concert tracks, where bleed can be a real issue. Its smoother than a normal noise gate and I find it has done many great wonders
to the vocal and drum tracks. Isolating all of that vocal mic bleed, and hh in the snare mic bleed has been a blessing. I find its worth the price, its simple and does what
it says it does!!! Keep up the good work UAD!
www.myspace.com/silostudios
A. Oberholz
In relation to SONNOX TransMod (Native) I only can give the Emulation of the SPL TD 3 Stars.
The Sonnox gives you more freedom in forming and creating transients.
I love 80% of the UAD Plug Ins!!!!!!!!
For me this one is not as good as the others and in my opinion a bit too expensive for what it does.
M. Olsen
A fracking magic wand! Just when I thought my club kicks couldn't kick any more ass, this plugin proved me wrong. It's amazing how much impact one of these can have on the overall feel and thickness of an entire mix. In a word: whoa!
T. Miller
This is a must have! I've finally been able to get that clean snare track to stand out, without all of that hi-hat bleed.
J. Fisher
Wow. On an audio-post project, this clever device helped reduce the reverb/room sound from the boom mic being too far away from the actors. It's a dialog mixer's dream. Very handy!
-- jpf